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New Show at Gallery Z

Many of my painting I have done on legends and Greek mythology will be on display
in the main gallery at Gallery Z.  Come by on the Opening night and I will be
there to talk about any and all of the works on display including my newest one,
The Three Fates, shown on this postcard.

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This is my newest large oil painting called the " Three Fates " after a Greek myth.    Three canvas wrapped panels 24 x 36 , not yet bolted together make up this work.  I chose a Cadillac because of its unique style, color and chrome.  In this myth three sisters appear two weeks after the birth of a child and will spin the fate shown as the red thread looping through the vehicles and when the fate has been decided will cut the thread, deciding the life of this child.  The youngest sister, Clotho, is the 1955 Cadillac convertible.  She begins spinning thread.  The bobbin is near the rear bumper.   It then moves on to the middle sister, Lachesis, the 1948 black Cadillac.  She measures its length.  The thread goes from the front bumper, over the fenders, to the rear bumper and continues to the eldest sister, Atropos, the 1901 red Cadillac.  She cuts the thread.  The scissors can be found on the back stone under the name "Atropos".   The background was inspired by

Hay Ride

This painting I call Hayride because the man is bringing a load of hay from a far away field to his farm.  When visiting Woodstock, Vermont a few years back I walked across this restored covered bridge.  I was happy to see that this bridge had been restored for automotive as well as pedestrian traffic.  Also it reminded me of stories I had been told as a child how big over-loaded hay wagons would sometimes get stuck trying to navigate over the bridge.  Sometimes the wheels would fall through the rotting boards from the weight of these over-loaded wagons.  In some instances the heat generated from the hay would ignite a fire and the bridge would be destroyed as well as the hay and wagon.  I came home to my studio with this image in mind and thought it would make a good narrative of times past. The horses came from images I had from Stonewall Farm in Chesterfield, NH.  The hay wagon I basically made up from memory.  The driver was an old railroad conductor's image I had in my f